Vintage Kyusu Banko
Yuzan Fukuro

Yuzan

SKU
1700
Original, handmade Japanese banko side-handle teapot by one of the most famous former banko potters, Master Yuzan. With a handmade, integrated ceramic strainer. Made from purple natural clay via strong reduction firing. Comes in original wooden box with the artist's signature. 230ml
Type Side-handle teapot, yokode kyūsu (横手急須)
Kiln Banko Yaki (萬古焼)
Studio Master Yuzan (勇山)
Origin Yokkaichi, Mie Prefecture, Japan
Capacity (according to producer) 230ml
Recommended fill line Only fill up to the last third of the integrated strainer. Larger quantities of water may leak out from the lid, despite its snug fit 
Dimensions
(diameter without handle x height without knob)
14.2 x 7.1cm
Weight Approx. 180g
Strainer Integrated, hand-pierced ceramic strainer
Finish The lid is crafted to fit the teapot body (suriawase technique; すり合わせ)
Packaging Box
Tea varieties Recommended for umami-rich senchas/shinchas, gyokuro, kabusecha, karigane gyokuro
€690.00

Delivery : 1–3 business days

Incl. VAT, excl. shipping

SKU
1700
In stock

Banko Kyusu

A kyusu is a traditional Japanese teapot used for the preparation of Japanese green tea. Fired from natural clay and unglazed on the inside, the body reacts with the tea and water to bring out certain aromas while subduing others. With the tea allowed to steep free-floating in the pot and the leaves lying across the integrated strainer when pouring to prevent them from entering the cup, the kyusu allows for a more complete extraction of flavours and ingredients. The tea should always be brewed fresh, but several infusions are customary. The side handle and the knob on the lid allow for safe handling of the teapot despite the high temperature of its contents.

Throughout history, there have been hundreds of ceramic centres in Japan, located wherever the volcanic soil was rich in clay. Some are still active today, including the Six Ancient Kilns (Rokkoyo) Bizen, Shigaraki, Seto, Echizen, Tamba and Tokoname, others such as Karatsu, Hagi, Mino, Shino, Oribe, Setoguro Ki-Seto and Kyo-yaki, as well as Banko in Yokkaichi, which specialises in tea ceramics in particular.

Kyusu differ according to the composition of the clay, which varies from region to region, the firing method, the handmade production steps taken, the decoration and glazing techniques as well as the overall quality, which can range from delicate to deliberately coarse. The clay as well as chosen firing technique determine the character of the kyusu, i.e. which types of flavours are lifted or subdued. Therefore, tea lovers often have different kyusu of different qualities at home in order to optimally prepare all their favourite teas. Among the finest and most valuable kyusu are those made by artists famous for their special talents in manufacturing, decoration and unique natural clay production as well as for their perfected firing techniques.

Led by the most highly awarded masters, the hierarchy of craftsmanship includes studios that still draw on the reputation of past masters, young and wild studios and family-run micro-enterprises which produce the bulk of everyday ceramics. Vintage kyusu are important collector's items made entirely from now exhausted deposits of the highest quality natural clay of the respective region, achieving tea infusions of an incomparable calibre.

Banko-Yaki 四日市萬古焼

Yokkaichi Banko-Yaki 四日市萬古焼

The comparatively younger but still highly prized pottery comes from Yokkaichi in Mie, Japan, where it is being produced since the 18th century. Occurrences of a clay similar to that used for Chinese Yixing ceramics (Zisha clay) enabled the use of similar manufacturing techniques as in China and the emergence of one of Japan's most important ceramic centres.

The original natural clay was exclusively yellow (the same as in Yixing) and became brownish-purple when fired. This was due to a particularly high iron content of about 6-7 %. It could be fired at higher temperatures, around 1200°C. With the drying up of the original Banko clay since about the 90s, today mostly red clay is mixed with yellow clay, sourced by studios from different regions. Only vintage Kyusus have 100% original clay from Yokkaichi.

A key characteristic of Banko Yaki is the strong reduction firing. This removes oxygen from the clay and results in greater hardness and porosity as well as the famous brown/purple colour with a special, almost metallic sheen. Banko clay is also known for its special properties in terms of taste and effect on Japanese green tea (see tab Tea varieties).

Character

This traditional Kyusu is handmade by Master Yuzan, one of the greatest living Banko potters in Yokkaichi. His Kyusus are characterised by their simple elegance and tactile warmth. In the case of this Kyusu, the latter is particularly emphasised by an elaborate peony motif. 

Banko pottery, which is highly prized by tea lovers, comes from Yokkaichi in Mie, Japan, where it has been produced since the back in the 18th century. A key characteristic of the Banko Yaki is the strong reduction firing. This removes oxygen from the clay and results in greater hardness and porosity as well as the famous brown/purple colour with a special, almost metallic sheen. Banko clay is also known for its special properties in terms of taste and effect on umami-rich Japanese green teas.

Details

  • Masterpiece by Yuzan
  • Incomparably warm feel
  • Particularly fine, decorative peony motif
  • Purple, ferruginous natural clay
  • Reduction firing to accentuate umami-stronger green teas, especially suitable for umami-rich senchas/shinchas, gyokuro, kabusecha, karigane gyokuro

Suitable for

Recommended for the Following Japanese Green Teas:

Umami-strong, less bitter green teas
Varieties: Umami-rich Senchas / Shinchas, Gyokuro, Kabusecha, Gyokuro Karigane
Harvest: 1st harvest
Cultivars: Fujimidori, Gokō, Kanayamidori, Komakage, Kuritawase, Okumidori, Saemidori, Samidori, Okumidori, Saemidori, Shojū, Yutakamidori, blends of these cultivars.

Brown/purple earthenware from strong reduction firing (Banko) accentuates the noble softer and sweeter flavours (especially amino acids) and umami of upscale green teas, by activating the iron content and higher porosity. This brings out the strengths of umami-rich teas better. Their taste thus becomes somewhat richer and more persistent.

For long-term use, it is advisable to stick to similar tea types, such as those recommended above. Kyusus made of natural clay develop a patina in interaction with each tea, improving and intensifying their flavour over time. For this reason, too, avoid the use of tap or bottled water with a high lime content. Soft water (similar to natural mountain spring water), will not harm the patina.

Application

To properly care for high-quality Japanese ceramics, always use soft water throughout preparation and cleaning.

A kyusu should be warmed with water before usage so that the clay reacts better with the tea leaves. Only then should the tea needles be added with a wooden spoon. Depending on taste, variety and quality, 1-3 heaped teaspoons per person are recommended. Connoisseurs usually make the tea much stronger than beginners, who are less used to the intense taste and bitter compounds.

Pour the water carefully and slowly over the leaves, ideally from a yuzamashi (a vessel used for cooling the water after boiling) of the same or similar clay and fire. For best results, fill the water only to the top third of the strainer. Please close the lid while brewing the tea.

To pour, hold the kyusu with one hand, with your thumb on the knob. Make sure that the small opening on the lid is level with the spout. Then pour the tea slowly into the cup, drinking immediately. If several cups are being filled, they should be poured one after the other in small amounts to achieve an even result for all cups. At the end, gently but firmly point the kyusu downwards repeatedly with both hands to extract the last, particularly rich drops from the tea.

After the last infusion, remove the tea from the kyusu and rinse it with water. Do not scrape or otherwise clean the inside. Afterwards, rinse the inside and outside of the pot with soft water to prevent any detrimental limescale deposits. Briefly wipe the outside with a clean cloth. Then leave the kyusu open to dry completely and store it closed for the next infusion.

Care

Cleaning the Exterior:

Clean only with water and a soft cloth. If dirty, wipe with infused green tea.

Cleaning the Interior:

Only rinse with clean water containing as little lime as possible. During use, the kyusu accumulates a valuable patina on the inside which should not be removed.

If using tap water to rinse the kyusu, rinse it afterwards with low-lime, soft water inside and out to prevent any detrimental limescale deposits. Then wipe the outside with a clean, soft cloth.

For long-term use, it is advisable to stick to similar tea types, such as those recommended above. Kyusus made of natural clay develop a patina in interaction with each tea, improving and intensifying their flavour over time. For this reason, too, avoid the use of tap or bottled water with a high lime content. Soft water (similar to natural mountain spring water), will not harm the patina.

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