Chonyu Haiki
Aka-Raku

Raku Kichizaemon VII

SKU
0162
A rare Aka Raku-yaki Haiki ash bowl with a salmon-coloured craquelure glaze by Raku Kichizaemon VII, aka Chōnyū (1714–1770), made in the 18th century during the Edo period (1603-1868). This shallow container is a Sumidōgu (lit. "charcoal tool") within the Japanese matcha tea ceremony, used to carry ash into the tea room in order to build a charcoal fire on which to boil the water for tea.
Artist Raku Kichizaemon VII (Chōnyū)
Period Edo, 18th century
Item Chawan matcha bowl
Origin Kyoto, Japan
Style Raku-yaki (楽焼)
Dimensions Ø17 x 3cm
Weight 337g
Artist's mark Double ring Raku seal to base
Packaging Signed Kiribako, silk bag
In stock
Raku Kichizaemon VII Chonyu Haiki Aka-Raku

Raku Kichizaemon VII

Chōnyū (1714-1770), eldest son of Raku Kichizaemon VI, aka Sanyū (1685–1739), succeeded his father as the head of the Raku family at just 15 years of age following his father's retirement in 1728. He held this position until he retired in 1762. Raku Kichizaemon VII's Chawan bowls are heavy and voluminous, often employing white and red Juraka clay alternately. As well as tea bowls, he also produced various types of incense burners and ornaments.

Raku Kichizaemon VII Chonyu Haiki Aka-Raku

Haiki 灰器

The Haiki "ash container" is a Sumidōgu, literally "charcoal tool", in the Japanese tea ceremony, used by the host to carry ash into the tea room in order to build a charcoal fire on which to boil water – a procedure known as Sumidemae. Small, glazed Haiki, such as this one, are used to hold Makibai "sprinkling ash" for the portable Furo brazier used in the Summer, while larger, unglazed Haiki are used for moist Shimeshibai ash for the sunken Ro hearth during the Winter.

Raku-Yaki 楽焼

Raku-yaki is lead-glazed tea pottery made for tea ceremony which is fired relatively briefly and usually freely moulded by hand. It was initially produced only in the colours red (aka-raku) and black (kuro-raku), with white, amber and, rarely, green oribe raku bowls being later additions. Raku bowls feel very soft and warm, absorb a lot of moisture and gain patina and beauty over time. They are considered the finest bowls for tea ceremony, with red and black considered the best colours to complement the bright green matcha. The first raku bowl is said to have been made around 1579 by the brickmaker Chōjirô under the guidance of the great tea master Sen no Rikyû. After his death, Chōjirô was honoured by Prince Hideyoshi by bestowing the raku seal upon his successor, Jôkai. Since then, the Jôkai family has used the name Raku and, along with a few smaller potteries, still produces these exceptional tea accessories in Kyoto.

Soft-fired pottery made by successive generations if the Raku family in Kyoto (wakigama). hand-moulded not formed on potter's wheel, fired in small-scale in-house kiln (uchigama). The first generation Chojiro started the Raku family at the begninning of the Tensho era (1573–92)

Aka-Raku 赤楽

A fine ferruginous clay is used for red raku (赤楽). The red shade of the bowl, together with the light green shade of matcha, is considered in Japan to be the most elegant colour combination. The clay is dug and stored by the raku family for following generations. Several layers of glaze (kamogawa-ishi) are applied by cutting and pressing, and are finally covered with a raku transparent glaze. The firing temperature of 850-1,000°C is much lower than for black raku. The red hot bowl is removed after only 25 minutes, and is quickly cooled in the air.

There are two types: transparent glaze directly on red clay, and coating the base with ocher and then with a transparent glaze

Our recommendations

Loading...
The image could not be loaded.