Strainer
Nokome

Gato Mikio

SKU
4677
An elegant tea strainer and ridged wooden holder coated in black Urushi lacquer, for sifting matcha or straining brewed tea leaves. Hand-turned at Gato Mikio: a woodworking atelier with over a hundred years' history.

 

Pair this item with matching Nokome Tea Caddy and Chakoboshi.

 
Contents Matcha sieve and holder, black
Artist Gato Mikio
Origin Yamanaka, Ishikawa, Japan
Dimensions Ø7.5cm x 7cm
Weight 200g
Material Japanese Zelkova, stainless steel
Lacquer Natural Urushi

 

Each item is handmade and unique, therefore finish and colour may vary slightly.

€92.90

Delivery : 1–3 business days

Incl. VAT, excl. shipping

SKU
4677
In stock

Gato Mikio 我戸幹男

In 1908, master woodturner Komakichi Gato founded his woodworking plant in Yamanaka Onsen to make Kiji: the plain wooden vessels that make up the foundation of Urushi lacquered wares. Come the second generation, lacquer began to be applied to their bare Kiji, and now in their fourth generation Gato Mikio is a fully-fledged lacquerware brand committed to preserving Yamanaka Urushi traditions by carefully adapting them to the modern world. Frequently working in collaboration with contemporary Japanese designers, Gato Mikio offers authentic and elegant tableware that has won them numerous design awards both at home and abroad.

Chakoshi 茶こし

This Chakoshi or tea strainer can be placed on top of a cup to strain tea leaves when pouring tea from a pot without an inbuilt strainer. It may also be used to sift Matcha before making it into tea, or adding to baked goods, smoothies and shakes. Sifting Matcha will remove any small lumps and help unfold the aroma for the smoothest result. Simply place the strainer on top of a Matchawan bowl or a cup, add the required amount of matcha to the strainer and press down with a Chashaku matcha scoop or a spoon. Make sure to only sift the amount of matcha required, as after a few hours, humidity in the air can cause the matcha to clump together again.

Yamanaka Shikki

The small hot spring resort town of Yamanaka Onsen has not only been immortalised in numerous Haiku by the celebrated Japanese poet Bashō, extolling the virtues of its rejuvenating waters – but is also renowned for its rich lacquerware heritage. Nestled amongst the mountains of Ishikawa prefecture, on the northwestern coast of Japan, Yamanaka Onsen’s humid climate is particularly well suited for working with natural Urushi lacquer. The origins of Yamanaka Shikki (山中漆器) or Yamanaka lacquerware, can be traced back to around 1580 with the arrival of a group of woodworkers from the nearby city of Echizen who specialised in the art of Rokuro-biki (轆轤挽き) – woodturning: shaping wood on a lathe. The goods they produced were sold as souvenirs to the onsen hot spring tourists and the area soon became known for its fine lacquerware, particularly tea ceremony accessories.

Yamanaka Shikki are characterised by practical, round utensils cut on the vertical grain (Tate-kidori 縦木取り) for added stability, as well as a decorative feature that brings out striking natural patterns. To highlight the beauty of the wood grain, Yamanaka wares are often coated in transparent lacquers, making these simple and robust designs perfect for daily use.

​​Urushi 漆

Traditional Japanese lacquer or Urushi is the purified sap of the Asian lacquer tree, which has been used for thousands of years in Japan to coat objects from crockery to furniture and buildings. When dry, lacquer is both heat and water resistant, therefore providing protection and strength to underlying materials, very often wood, but also bamboo, paper and leather. Lacquerware itself can be referred to as Urushi as well as Shikki (漆器 lit. “urushi vessel”), and with the development of acrylic resin in the last century, objects coated in synthetic lacquers, such as food-safe polyurethane, are considered Urushi/Shikki too. Pure natural Urushi is transparent, while the black and red lacquers most associated with Shikki are achieved with the addition of mineral pigments, over which traditional decorative details such as Maki-e (蒔絵) “sprinkled pictures” or Raden (螺鈿) “shell inlay” can be applied.

Japanese zelkova or Keyaki (欅) is a particularly strong and valuable wood that was historically used to make bows for samurai. Its density and beautiful grain make it perfect for the production of high quality Urushi wares. Before it can be used, the wood is stored for several years until it has sufficiently dried out to ensure that the final product does not warp. Once dried it is ready to be cut and turned into Kiji, which is then coated in multiple layers of lacquer.

Care

After using to sift matcha, tap and wipe off any residue with a soft dry cloth. After use as a tea strainer, discard the brewed tea leaves and rinse the strainer and holder with warm water, then make sure to dry thoroughly with a soft towel to prevent rusting of the strainer and damage to the Urushi. Do not soak.

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